Recorded live (desk mix) at the Ajanta Cinema, Derby, in 1980, this legendary gig captures this period of Skin Patrol at their best. On the bill with Anti-Pasti, the audience didn’t quite get what they were expecting, hit with a potent mix of funk, punk, and agitpop via Captain Beefheart, The Doors and The Pop Group. The select few of the audience who knew what they were in for loved it. The majority waiting for identikit punk loathed it; they hated us in silence (mostly), and we hated them. The perfect gig at that time.
Monthly Archives: September 2023
We Want Our Apocalypse Now (Remix) [Radio Edit]
Inspired by working on Paris Fashion Shows and the book ‘The Beautiful Fall’ about the
rivalries and excess that left Rock and Roll standing, this truly genius remix by Ghost Flu Studios finally got the 46 tracks of the original to hang together and turn into the rock classic it was always threatening to be. “The first Roxy Music album meets Bowies Heroes, and then Steve Jones walks into the studio for the chorus; you certainly know how to create a stunning dynamic”.
“Wow, the end product is very professional! It’s become quite an amazing track. Very surprising!” AQ
“I’m a huge Nine Inch Nails fan, and I think I can hear their influence in this track with the electronic style drums/drum patterns blended with rock/metal guitar flavours. Very, very cool.” LK
“Love the pool of influences, man, especially the first Roxy Music album. Remake/Remodel is absolutely genius, and I’m a huge fan of all things Brian Eno”. LK
Streaming links below:
Skin Patrol – ‘Live 1978’
Our first gig at the legendary punk club The Sandpiper, Nottingham, on Friday 13th, 1978. Sonically reflecting my roots in a Stooges and Velvet Underground covers band (unfortunately unrecorded but led to Andrew Dickinson wanting to join on bass) with the addition of guitarist Andrew Turnbull, a Dire Straits aficionado who lived above me.
A swap of musical influences birthed a transformation. I handed him the New York Dolls ‘first album and said, “Play like this.” And play he did. His strings wail like Johnny Thunders at his finest, and you can feel the electricity.
Lyrics and vocals from the soon-to-be-famous Rick Elgood, who would later make his mark in filmmaking. You might know him from “One Love” (2003) and “Dancehall Queen” (1997). A creative force, he’d later form a video company with Don Letts of Big Audio Dynamite.
Only one rehearsal in the Art Student living room of original bassist Kent Hewitt. Drummer Leon left immediately before the next gig on the 16th and was never seen again, to be replaced by Bob Fawcett of Some Chicken, who just happened to be in the audience. Unpolished, unapologetic.
It’s not the media’s fairy tale; it’s the truth of 1978 Live. The wildness, the imperfections, what it was really like at the time.
Streaming links below:
It’s A Soul Life
“It’s a Soul Life” embodies the desire to revisit the purity of our inception, Skin Patrol emerged from a love of nihilistic minimalism of The Stooges and The Velvet Underground, One Million Fuzztone Guitars from the confrontational drum-machine beats of early Suicide and Throbbing Gristle, and the DIY synth-world of SoftCell. The song was captured in one unrehearsed seamless live take and later polished with a touch of finesse for the official release, although it remained remarkably powerful right from the raw essence of the original composition featuring the SR18 Drum Machine and Stylophone. The song’s message centres around returning to fundamentals and embracing positivity amidst the chaos of the present times, representing a back-to-basics approach in its message. We love basic!
Streaming links below:
5EXYA55USA
5EXYA55USA, by One Million Fuzztone Guitars and Skin Patrol. Inspired by a news story a few years back, some of the young and rich in a country in the Middle East had found that if they translated their number plates into English (allowed), they came up with outrageous slogans. Since removed, it may have been a prank, but the song was born by then and not about to go away as it resonated with our humorous sensibilities. The title of this song is one such: forget sad vanity personalised number plates; this is an uptempo, Euro-Disco, Italo-House inspired, synth-drenched, fuzzed-up, indie disco revolution!
Streaming links below: