Singles – Unleashing the Fuzz: 31 Tracks of Modern Rock Revival

“The 31-track, Twenty-First Century Singles compilation album, featuring “New Rock Section”. A sonic time capsule cracked open, unleashing a swirling storm of fuzz-laden riffs and unrelenting rhythm. The track embodies the band’s signature blend of psychedelic garage rock, post-punk grit, and alternative audacity. It is a sound that has always been ahead of its time, whether in the 1980s or today’s era of genre-fluid rock revivalists”. Exposed Vocals

New Album ’31’

“An album getting more interest these days, as it was always meant to be, with the original cover and missing tracks. One of a few missing links between the One Million Fuzztone Guitars of the 1980s and the 2020s. Check out the article on Exposed Vocals and interview with the ‘Force behind the Fuzz’, Robert Courtney, here:

exposedvocals.com/one-million-fuzztone-guitars-skin-patrol-a-psychedelic-garage-rock-resurrection-worth-the-wait/

exposedvocals.com/exposed-vocals-interview-the-resurrection-of-one-million-fuzztone-guitars-with-robert-courtney/ ”

New album: D-Pop

Volume II of live, improvised, one-take, gig-ready songs. The point of what I’m doing now musically  is getting away from any form of artifice. They are all live, one-take stereo recordings, not multi-track, with no added effects other than minimal volume editing and EQ. The sound and mix is all set up in the room and is one voice, one guitar, 3 amps and a Pearl Export bass drum. No overdubs allowed. I got fed up with creating things I couldn’t possibly replicate. Not using click tracks or drum machines frees me up to speed up, slow down or instantly go in any direction I choose. It may be minimalist but it’s real.

Dead Time (Live)

Dead Time (Live) by Skin Patrol

Supercharged, dynamic, Punk, Funk, Rockabilly Agitpop from Skin Patrol in 1980, restored and remastered from a PA desk mix cassette. The Ajanta Cinema put on many punk and post-punk bands at the time, including Joy Division, Psychedelic Furs, Crass and Throbbing Gristle, all bands we loved. It closed after one particularly riotous gig where the seats were ripped out and thrown on stage, not us, honestly.

Link to all streaming sites: https://linktr.ee/omftgsp

Skin Patrol Live at The Ajanta Cinema, 1980

Recorded live (desk mix) at the Ajanta Cinema, Derby, in 1980, this legendary gig captures this period of Skin Patrol at their best. On the bill with Anti-Pasti, the audience didn’t quite get what they were expecting, hit with a potent mix of funk, punk, and agitpop via Captain Beefheart, The Doors and The Pop Group. The select few of the audience who knew what they were in for loved it. The majority waiting for identikit punk loathed it; they hated us in silence (mostly), and we hated them. The perfect gig at that time.

We Want Our Apocalypse Now (Remix) [Radio Edit]

Inspired by working on Paris Fashion Shows and the book ‘The Beautiful Fall’ about the 

rivalries and excess that left Rock and Roll standing, this truly genius remix by Ghost Flu Studios finally got the 46 tracks of the original to hang together and turn into the rock classic it was always threatening to be. “The first Roxy Music album meets Bowies Heroes, and then Steve Jones walks into the studio for the chorus; you certainly know how to create a stunning dynamic”.  

“Wow, the end product is very professional! It’s become quite an amazing track. Very surprising!” AQ

“I’m a huge Nine Inch Nails fan, and I think I can hear their influence in this track with the electronic style drums/drum patterns blended with rock/metal guitar flavours. Very, very cool.” LK

“Love the pool of influences, man, especially the first Roxy Music album. Remake/Remodel is absolutely genius, and I’m a huge fan of all things Brian Eno”. LK

Streaming links below:

https://linktr.ee/omftgsp

Skin Patrol – ‘Live 1978’

Our first gig at the legendary punk club The Sandpiper, Nottingham, on Friday 13th, 1978. Sonically reflecting my roots in a Stooges and Velvet Underground covers band (unfortunately unrecorded but led to Andrew Dickinson wanting to join on bass) with the addition of guitarist Andrew Turnbull, a Dire Straits aficionado who lived above me. 

A swap of musical influences birthed a transformation. I handed him the New York Dolls ‘first album and said, “Play like this.” And play he did. His strings wail like Johnny Thunders at his finest, and you can feel the electricity. 

Lyrics and vocals from the soon-to-be-famous Rick Elgood, who would later make his mark in filmmaking. You might know him from “One Love” (2003) and “Dancehall Queen” (1997). A creative force, he’d later form a video company with Don Letts of Big Audio Dynamite. 

Only one rehearsal in the Art Student living room of original bassist Kent Hewitt. Drummer Leon left immediately before the next gig on the 16th and was never seen again, to be replaced by Bob Fawcett of Some Chicken, who just happened to be in the audience. Unpolished, unapologetic. 

It’s not the media’s fairy tale; it’s the truth of 1978 Live. The wildness, the imperfections, what it was really like at the time.

Streaming links below:

https://linktr.ee/omftgsp