20th Century Box

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All live takes from the 20th Century Box Sessions, featuring the (in Jim’s opinion) greatest version of ‘Blue Baby’, clocking in at just under 11 minutes!
Big Jake.

All songs by Robert Courtney.
Robert Courtney (Vocals), Big Jake (Sound FX and Synth), Mad Dog (Earthed guitar lead through effects pedals), Rock Section (Drums).

20th Century Box, full album now available, listen here:  https://onemillionfuzztoneguitars.bandcamp.com/album/20th-century-box

New release – The Day

The Day Final
A compilation of early demos from 1985 for One Million Fuzztone Guitars that ended up becoming the templates for the first “Everything’s Happening” studio sessions.

released May 19, 2016

Music & Lyrics by Robert Courtney
Robert Courtney: Vocals, 12 String Guitar, 12 String Fuzz Guitar, 12 String ‘Bass’ Guitar.

 
Listen to The Day at Bandcamp

 

 

Radio on Berlin Presents One Million Fuzztone Guitars / Skin Patrol

kwrock04

Radio on Berlin Presents guests Oyasumi live and sessions from Dub Syndicate, One Million Fuzztone Guitars / Skin Patrol and selector DJ Smart Monkey Radio-on-berlin

Radio Berlin

Monday 29 June 2015 at 20:00 – The Wirebender presents On the Mix

Wirebender

Previously unseen photographs of One Million Fuzztone Guitars at The National Theatre, Southbank, London 1983.

Previously unseen photographs of One Million Fuzztone Guitars at The National Theatre, Southbank, London 1983.

"And he dressed that guitar like a mutha!"

One Million Fuzztone Guitars live at The National Theatre, Southbank, London 1983.

“Handsome, debonair, and weird. Some times I’d think “this is way too weird, I wish they had one less fuzz-tone guitar”, and then another night I’d be thinking “damn this is normal, can’t they get another fuzz-tone guitar”. On reflection, I think you nailed it!” Dave Sketchley

Thank you Andrew Dickinson for finding the photographs!

We just need to find the tape and the film……..Big Jake.

The Rock Cemetery and the Archdruid’s Private Cell.

Rock Cemetery

‘Robin Hood’s Cave or Stables located within the site of the Church (Rock) Cemetery- Photo Credit: Joe Earp

Rev. George Oliver and Nottingham’s Druid Temple.  Edwin Patchitt was the man who designed the Rock Cemetery. This is where Skin Patrol used to go to write songs after gigs around the time of the ‘Rock Section’ seances. He and his family are buried in quite an elaborate family plot. The location of the tomb is exactly positioned in what Oliver described as being the ‘arch druid’s cell’.

‘The Rise And Fall Of The Sound Of Music’ by One Million Fuzztone Guitars!

It’s 1982 and it’s those crazy cats from OMFTG again, with a typically abandoned traditional Nottingham folkloric tale of Sex, Religion, Elvis, Nazis and Jim Morrison. Somehow this insanity managed to form the basis of their live sets for the next year. How Jim loved ‘Frogman’, said it was his favourite track ever, used to sing it in the bath, should have been a hit. Right, who’s gonna be Julie Andrews? Big Jake.

One Million Fuzztone Guitars ‘Rock Section’, The Graveyard Sessions, 19th August 1981

Ditching conventional rock in favour of stripped down stylophone based electronica Skin Patrol become One Million Fuzztone Guitars in ‘The Graveyard’ Studios in August 1981. Although only their self-penned originals can be featured here, the session also included (in Jim’s opinion), the ultimate version of the Doors’ ‘Five to One’, featuring Andrew on a classic vocal delivery over threatening minimalism, a haunting version of ‘Mack The Knife’ and two versions of what would become a live set favourite, ‘I Wanna Come Back (From The World of LSD). Take me back! Big Jake.